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A surrealist and mystic by nature, Morris Graves is perhaps the most enigmatic of the Northwest School’s “big four”, which included Mark Tobey (1890-1976), Guy Anderson (1906-1998), and Kenneth Callahan (1905-1986). Graves is known for his incorporation of Eastern spirituality and symbolism into his artwork, often using the images of the bird or “inner eye” to communicate his own form of transcendental philosophy. Though he exhibited widely during his time, the artist was somewhat of a .
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Vincent van Gogh’s
Sunflowers will go on show today at Canberra’s National Gallery of Australia. It will be the climax in the final room of the exhibition
In a message to Australians in the exhibition catalogue, the UK Prime Minister Boris Johnson singled out the show’s star painting and the pleasure of “having the soul lifted by the explosive yellows and greens of Van Gogh’s favourite and most famous
Sunflowers”.
Johnson, never one to forgo a cricketing joke, also reiterated that exchanges between the UK and Australia, cultural and otherwise, are nothing new: “We have codified all manner of sports, taught you the rules and then watched, somewhat bemused, as you taught us how to play.”
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