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John Ganz on "Casa Malaparte: Furniture" - Artforum International

“OH, WE WILL NOT BE COMMENTING ON THAT” was the answer I got from a gallery representative at the opening of a show of furniture designed by the Italian writer and filmmaker Curzio Malaparte at Gagosian’s space on Park Avenue, New York. The “that” in question was Malaparte’s prominent membership in Mussolini’s National Fascist Party, a fact that is not mentioned in the press release. Instead, the text supplies euphemisms, calling him a “provocative writer” who was “notorious for his oscillations between the ideological extremes of the era.”The reason for this evasion is not hard to fathom: “Casa

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David O. Russell's Amsterdam and the 1933–34 "Business Plot"

It focuses attention on an important historical episode, but severely fails in its treatment of the event as well as its contemporary significance.

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The Business Plot Against FDR and America You Never Heard About

The Depression-era authors of the "Business Plot" aimed to take power away from President Roosevelt and stop his "socialist" New Deal.

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The Plot Against American Democracy That Isn't Taught in Schools

Nationalist dreams and nightmares

Nationalist dreams and nightmares Mike Macnair reviews Workers and nationalism: Czech and German Social Democracy in Habsburg Austria, 1890-1918 by JS Beneš and The Fiume crisis: life in the wake of the Habsburg empire by DK Reill Both these books are about nationalism and the break-up of a larger multinational state regime. Reviewing Jakub Beneš’s book, published in 2017, is perhaps rather belated, but it provides fundamental background to that of Dominique Kirchner Reill: Beneš’s book is about the growth of nationalism in the late 19th-early 20th century workers’ movement in Austria-Hungary; Reill’s is a microcosm-study of the disastrous consequences of the implementation of nationalist programmes.

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