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Transcripts for BBCNEWS This Cultural Life 20240604 02:36:00

Have a hey, nonny nonny and a bit of a thump, but then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me,

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Transcripts for BBCNEWS This Cultural Life 20240604 00:36:00

But then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me, can you write songs for a musical?

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Transcripts for BBCNEWS This Cultural Life 20240604 09:37:00

Likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me, can you write songs for a musical? and i went, i don t know, i lltry. and the answer was, yeah, i can.

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Transcripts for BBCNEWS This Cultural Life 20240604 21:37:00

But then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me,

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Musical
Script
Set
Metaphysicists
Everyonejust
Sonnets
Elizabethan-poets
Likejohn-donne
Shakespearean
Three

Transcripts for BBCNEWS This Cultural Life 20240604 02:36:00

Love s labour s lost thing was built of the script, which has a few songs in it, you know, like all his comedies have a hey, nonny nonny and a bit of a thump, but then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming. it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve

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