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"When I first played Jump for the guys nobody wanted anything to do with it. Dave said I was a guitar hero and I shouldn't be playing keyboards": The story of Van Halen's 1984 – the Flying Vs, the synths and the end of the David Lee Roth era

Creative differences led to Roth’s departure the following year, but 1984 found the band firing on all cylinders, as Eddie Van Halen embraced his pop sensibilities while retaining the musical adventur

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Montana composer Philip Aaberg pens music for sculpture park

Moog Celebrates 70th Anniversary & Return of Iconic Minimoog Model D with Virtual Experience Exploring Generations of Electronic Music

Moog Celebrates 70th Anniversary & Return of Iconic Minimoog Model D with Virtual Experience Exploring Generations of Electronic Music
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The Big Takeover: Exclusive: John Vanderslice Says He Wrote New Song in "Two-Hour Fever"

The Big Takeover: Exclusive: John Vanderslice Says He Wrote New Song in "Two-Hour Fever"
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Wellington band Kita, a collision of culture, gender and genres

Lockdown forced an unexpected creative process on the group’s latest recording. The band members were separated but able to access each other’s contributions online. “It morphed into this beautiful collaborative experience. Ed and I would skype each other. We’d say this is the key, this is the tempo, we’ve got 20 minutes. We’d send each other the rough recordings and listen to them at the same time. Eighty per cent of the songs on the album were written like that,” she said. The trio’s music blends synth pop keyboard layers and soulful beats underpinned by Tu-Bryant’s rock influenced guitar playing and melodic vocals.

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