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The Artists Sifting Through Your City's Garbage

Full-Court Press: A Review of the Citywide Retrospective of Sandra Binion

Exhibit brings together waste artists-in-residency from DSNY, Recology

Rachel Wetzler on Ghislaine Leung

Though Leung’s works are highly attentive to their physical surroundings, she conceives of them not as site-specific but “context-contingent,” capable of being realized again and again in different places, but each time conditioned by institutional circumstances that would determine their form. Likewise, they accrue new layers of meaning as they circulate through different situations. When Violets 2 was originally exhibited at Netwerk Aalst, for instance, it was installed on the floor of the gallery space one story above the bar from which the pipes had been removed, mirroring their former placement, only this time as a waste product instead of a conduit for its elimination, as if the building were spilling its guts. Subsequent presentations, however, must contend with the challenges of one set of architectural footprints descending on another, with the reconfigured pipes now foregrounding the spatial eccentricities of their new containers. Meanwhile, Shrooms is particularly effe

Acts of Creation: On Art and Motherhood

With works covering pregnancy, birth and nursing through to caring for older children, as well as miscarriage and involuntary childlessness, this show sets out to demonstrate that motherhood is a legitimate subject for contemporary art