establishment in the dig, winslet s anning faces the double whammy of being both largely self taught and a woman. this, at a time when the geological society of london, for example, was a men only enclave. more problematic, i think, is the chilly tone of the film, which reminded me somewhat of the austere mood of michael winterbottom s jude, an early critical triumph for kate winslet. both films have much to admire artistically, but also left me rather cold. you can find ammonite on a wide range of digital platforms. sticking with british films, the banishing is a 305 set haunted house chiller from christopher smith, whose cv ranges from the death line style subway chiller creep through the satirical slasher severance, to the mediaeval romp, black death. silence. what s this room? mummy says you re not to go there. excuse me? mummy says you re forbidden. jessica brown findlay is marianne, a reverend s wife who moves into a dusty home full of creaks, shadows and secrets. anya
sticking with british films, the banishing is a 30s set haunted house chiller from christopher smith, whose cv ranges from the death line style subway chiller creep through the satirical slasher severance, to the mediaeval romp, black death. what s this room? mummy says you re not to go there. excuse me? mummy says you re forbidden. jessica brown findlay is marianne, a reverend s wife who moves into a dusty home full of creaks, shadows and secrets. anya mckenna bruce is adelaide, a young girl who seems to fall under the influence of strange forces, turning her against marianne and leading her back into the house s dark history. are you talking about the voices? what did you hear? it was nothing. it s a history that s only too familiar to sean harris flamehead spiritualist harry and to john lynch s strangely sinister malachi, who s placed this family within these dangerous walls. hauntingly lensed by cinematographer sarah cunningham, the banishing is atmospheric fare that le
attempts to refloat the giant container ship blocking the waterway will continue around the clock. they re hoping high tide may help. hello and welcome to our look ahead to what the the papers will be bringing us tomorrow. with me arejohn stevens, the deputy political editor of the daily mail and benedicte paviot, uk correspondent for france 24. great to have you both back. the financial times leads on efforts by liberty steel owner gfg alliance to raise funds after ministers denied a bailout. the metro marks the easing of restrictions in england tomorrow, and the milestone of 30 million people receiving a covid vaccine first dose in the uk, with the headline jabby monday. as england prepares to take another step out of lockdown, the i reports a warning from the prime minister that vaccine resistant variants could threaten the country s recovery. the guardian leads on comments from the chair of the national police chiefs council, who says a lack of trust and confidence in th
might be a racist, a privilege to aces at might be a racist, a privilege to aces at private schools it isn t just aces at private schools it isn t just it aces at private schools it isn t just. it isn tjust a societal issue that just. it isn tjust a societal issue that takes just. it isn tjust a societal issue that takes break the neck place and more that takes break the neck place and more impoverished places. unfortunately where we are at the moment unfortunately where we are at the moment it unfortunately where we are at the moment it has to be stopped. martin, thank ou moment it has to be stopped. martin, thank you very moment it has to be stopped. martin, thank you very much moment it has to be stopped. martin, thank you very much indeed. - moment it has to be stopped. martin, thank you very much indeed. a - moment it has to be stopped. martin, thank you very much indeed. a lot - moment it has to be stopped. martin, thank you very much indeed. a lot ofl
lifestyle of searching for hidden treasures on the beach, but she s made of sturdier stuff and soon, her and mary become friends and then lovers. lee s decision to imagine an intimacy between two real life characters has ruffled some feathers, to which the film maker responded by stating. it s a forceful point perfectly made, but in fact, it s issues of class and gender rather than sexual orientation that seem to lighten the heart of lee s film. it s in the british museum with its fancy, made up name, ichthyosaurus. while ralph fiennes auto didactic archaeologist basil brown was snobbed by the snobbiest establishment in the dig, winslet s anning faces the double whammy of being both largely self taught and a woman this in a time when the geological society of london, for example, was a men only enclave. more problematic, i think, is the chilly tone of the film, which reminded me somewhat of the austere mood of michael winterbottom s jude, an early critical triumph for kate