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The 50 albums that saved us from 2020
Updated Dec 20, 2020;
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What’s left to say?
For many of us, 2020 was the worst year of our lives. No need to list all the reasons why.
But even as the pandemic snarled just about every aspect of our lives to a screeching halt, music somehow endured. In fact, it was a supremely good year for album releases, due in some part to musicians being kept from touring and allowed ample time to create from home.
This year we had gargantuan surprises, sensational debuts, hopeful comebacks whenever concerts resume, there will be literally too many worthy shows to see in support of these artists (what I’d give to have such a problem again).
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Hear tracks by U.S. Girls, 100 gecs, Big Freedia and more.
Meghan Remy of U.S. Girls sings about consumerism and the climate crisis on “Santa Stay Home.”Credit.Victor Llorente for The New York Times
Dec. 18, 2020
Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs and videos. Just want the music?
U.S. Girls featuring Rich Morel, ‘Santa Stay Home’
If you’ve been searching for a Christmas carol that addresses rampant consumerism, the climate crisis, and even the strange mass-tradition of cutting down oxygen-giving pine trees only to throw them in the trash after a few weeks have U.S. Girls got a song for you! “With both poles melting and the seasons blending,” the frontwoman Meghan Remy sings, “hurry up, slow down.” What saves the song from being
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Watch a historymaking male pas de deux or support Democrats with a music festival in our editor-selected picks
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STAGE
A Christmas Carol: A Ghost Story of Christmas
Any other year, theatergoers could seek out almost as many different staged versions of Charles Dickens’ classic Christmas tale around town as there are official days in the holiday. During the pandemic, however, the most notable local production available for streaming is the unique one-man
tour de force that has been a popular draw at Maryland’s Olney Theatre Company for 11 years.
In fact, Olney held out hope until just last month that they could offer safe, reduced-capacity live performances of Paul Morella’s
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