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Mick Jagger
Desolation Row (1965)
I was playing Bob Dylan records at my parentsâ house when he was still an acoustic folk singer, but he was already very important and his lyrics were on point. The delivery isnât just the words, itâs the accentuation and the moods and twists he puts on them. His greatness lies in the body of work. I was at a session for Blood on the Tracks [1975] and really enjoyed watching him record Lily, Rosemary and the Jack of Hearts, with this incredible depth of storyline, surrounded by all these boring people from the record company who he had sitting in the control room. I couldnât record like that.
Photo: Emma McIntyre
on April 20, 2021
This article includes references to sexual assault and sexual violence that may be troubling to some readers.
An artist of many talents, Meghan Remy is releasing a book today titled “Begin by Telling,” an experimental memoir that, as our own Lily Nilipour writes, reckons with trauma and abuse through a rebuilding of memory, a sequential stacking atop oneself that burdens and frees all at once. Nilipour writes that these experiences “will always hurt,” but also, that the pain “is temporary.” This oxymoron starts to make sense when you remember that someday, we will all be cosmic waste floating in a sea of stars.
Disclaimer:
I am only one man with limited time and, in 2020, I undertook a law conversion (hence the drop of in features in the winter), so if your favourite record is missing chances are I just haven’t heard it yet, so please share your favourite LPs below the line.
Equally, because I’ve been extremely busy, this list leans heavily on albums that I have reviewed (big names, big hype releases) as there are still a host of records I’m desperate to hear, but will not include without having listened to them in full (Thou, Pallbearer, Sasha Sloan, The Koreatown Oddity, Napalm Death, Thundercat, Idles, Against All Logic, Declan McKenna, Denzel Curry, 21 Savage, etc…).