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It is that logic that perhaps explains why there are now only 42,000 staff in the National Offender Management Service in england and wales, while there were 19,000 back in 2010. But the logic of cutting prisons has perhaps reached a limit. The pressure of fewer staff in overcrowded jails has seen violence rise towards staff, other prisoners or in the form of self harm. Bad things are happening in ourjails, and its no surprise the president of the Prison Governors Association has written an open letter attacking the governments management of prisons. Heres elaine dunkley. Violence and rioting, volatility has gripped prisons in england and wales. Run. The pressure in our Prison Service building for staff and inmates. Get down. A breakdown in Law And Order caused by a shortage of staff and a growing Prison Population. A toxic mix according to the Prison Governors Association. Attacks on prison staff and drugs academic increasing concern around Mental Health and overcrowding, resources an
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CALABASAS, Calif., April 22, 2021 /PRNewswire/ The Next Unicorn ( TNU ), an office comedy about life in a fashion-tech startup, announced its April 22nd Premier debut on Amazon Prime, with three fun-filled episodes. TNU is the creation of Elizabeth Chang, who wrote, stars and co-directs the series.
Set in Calabasas, The Next Unicorn follows the ups and downs of startup life for the employees of Le Satchel, a subscription clothing company, as seen through Olivia, Lead Designer. Tensions rise amidst an impending merger with a larger competitor, Thread and Needle. Olivia faces tough decisions as the two companies work through the inevitable post merger RIF (Reduction In Force). The cast also includes Brent Harvey (Struggleing), Timothy Huls, (Rough Edges), Meagan Madson (People Who Brunch), Richard Chang, and Begine White-Klein.
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By Brian Boone/April 9, 2021 7:26 pm EDT
Of all the wonderful eras of television, the 1980s might have been the golden age of the situation comedy, or at least a certain kind of sitcom. The TV landscape was still by and large dominated by three broadcast networks, who presented programming that appealed to as broad an audience as possible. Most comedies of the era could be safely consumed by adults and little kids alike, because they were generally clean, understandable, and offered jokes that were easily digested. They also all kind of looked the same, shot on a set with multiple cameras and a laugh track-sweetened studio audience telling viewers at home when to laugh.
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