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Article Contributed by Glass Onyon PR | Published on Saturday, April 10, 2021
In a stunning, full-color book, author Anthony Garone details a 22-year journey of transformation in mastering the intricate complexity of “Fracture” - described by composer Robert Fripp as “impossible to play.”
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Robert Fripp
Watch Robert Fripp praising “Failure to Fracture”: (https://youtu.be/-S9rnPQB9RI)
When progressive rock band King Crimson released “Starless and Bible Black” in 1974, very few recognized the astonishing virtuosity captured in the album’s 11-minute instrumental capstone, “Fracture.” Three minutes into the piece, guitarist Robert Fripp begins a quiet, non-stop barrage of notes called a “moto perpetuo” an Italian term for “perpetual motion.” Fripp’s moto perpetuo requires intense right-hand string-skipping, and picking capabilities only a handful of guitarists around the world possess.
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Gaps debut, produced beautifully by Eric Ambel (Joan Jett) so that the highs stay high yet the lows still resonate, is testament to the strength of the Americana scene in New York City, as it features some of its brightest lights. With the late Kelley Looney on bass from Steve Earle’s band, these songs snap, crackle and pop with veracity. Opening with “Gaps In My Resume” (there’s a reason Nate has made no music for over a decade and it’s all in the song),
Gaps goes on to model itself after Earle’s 1997 masterpiece
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