Through her films, images, installations, and objects, Jasmina Cibic pulls back the curtain on hegemonic powers, exposing the formulations and ideologies that create and maintain political authority. Cibic’s latest exhibition, “Most Favoured Nation,” on view from March 5 until June 12 at the Museum der Moderne Salzburg, features, among other recent work, a major new installation for which the artist surveys the crumbling state of Europe.IN 1920, in the wake of the First World War, the city of Salzburg resolved to return humanity to a Europe that had been completely desecrated: socially,
Through her films, images, installations, and objects, Jasmina Cibic pulls back the curtain on hegemonic powers, exposing the formulations and ideologies that create and maintain political authority. Cibic’s latest exhibition, “Most Favoured Nation,” on view from March 5 until June 12 at the Museum der Moderne Salzburg, features, among other recent work, a major new installation for which the artist surveys the crumbling state of Europe.IN 1920, in the wake of the First World War, the city of Salzburg resolved to return humanity to a Europe that had been completely desecrated: socially,
Jasmina Cibic’s new exhibition explores the theatricality of nation building in Europe. She didn’t expect it to have such immediate contemporary relevance.