come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
when we actually started work, it was just me and george in the office, and george says to me, you know, darth vader is luke s father. i am your father. no [bleep]? noooo! it was about fathers and sons and about good and evil personified. it is your destiny. i thought that made the whole saga better instantly. er this? but i spoke to our advisor, and our vanguard investments are on track. “we got this, babe.” so go do what you love. thanks for being our superhero. only at vanguard, you re more than just an investor you re an owner. giving you flexibility to follow your dreams.
Strikes back, because it was the star wars movie that took the whole thing to a whole other level. star wars was huge. but empire strikes back was phenomenal. these established characters, you saw them intermix in a way that you hadn t in the previous film, where there s this budding romance going on between han solo and princess leia. i love you. i know. luke is transitioning into wanting to become a jedi knight. i saw it as, this is the good act, because in classical dramatic philosophy, you set the thing up in the first act. in the second act, your heroes are put in a position that is unresolvable. they re put in enormous jeopardy. you don t know how it s gonna work out. and that is always the most interesting part of the story to tell. obi-wan never told you what happened to your father. he told me enough. he told me you killed him.