come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Something that was totally brand-new, and it was very, very low budget. and i just felt it was so special, and it was a point of view that we just hadn t seen before. to deal openly with voyeurs and sexual dysfunction on screen was stunning to people, and it was a trendsetter then, and it s a movie that mattered a lot. joel and ethan s first film was blood simple . it was kind of a cross between a slasher film and film noir. lover boy oughta lock the door. they knew that that would be a great calling card. people would pay attention if they had enough scares. they make intensely cool and creative films. it always kind of feels a little bit like they ve adapted a book that no one s ever heard of. every shot has been thought about, every note of music, the dialogue, and it s shocking. all the time, there s shocks in