Photographer Daniel Ramos’s first solo show in New York is not large. Eight 40-by-52-inch, black-and-white prints span the walls of the Camera Club of New York’s intimate Baxter St Project Space. The photographs themselves do not at first appear complicated either; Ramos took each portrait with a four-by-five view camera at the same bar in Monterrey, Mexico over a two-year period (all works summer 2018–winter 2019), while living in the Northern Mexican city with his wife.