These works pictorial strategies, and others from the 1970s on, though their initial effects are still op, align them with many of the now marginalized practices of post-50s hardedge and geometric abstract art. With this insight, I realized Rileys practice extends beyond her association with Op art and that her work can be contextualized within the broader aesthetic discourses of early and late modernism.
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The painter, who worked for decades at Reade and Broadway, had critical recognition in the United States and Europe for her paintings and altered x-rays.