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Launching Lives of Service: We Honor 25 Outstanding Tribal College Alumni

Community invited to Verse Like Water event with poet Valzhyna Mort

Verse Like Water to feature Belarusian poet | Brainerd Dispatch

Valzhyna Mort was born in Minsk, Belarus, and has won several literary awards for her poetry. Written By: Brainerd Dispatch | × Belarusian poet Valzhyna Mort will present her poetry during the Central Lakes College Verse Like Water program Tuesday, April 27, 2021. Submitted Photo The Central Lakes College Verse Like Water program will host poet Valzhyna Mort for a free virtual reading at noon Tuesday, April 27. Born in Minsk, Belarus, Mort made her American debut in 2008 with the poetry collection “Factory of Tears,” co-translated by the husband and wife team of Elizabeth Oehlkers Wright and Pulitzer Prize-winning poet Franz Wright. Mort is also the author of ”Collected Body” and her most recent collection ”Music for the Dead and Resurrected.”

Annual Lecture Series 2021: Valzhyna Mort – The Poetry Society

Tuesday 2 March 2021, 7:00 pm – 8:30 pm Free Valzhyna Mort (photo: Tanya Kapitonava) The Poetry Society and University of Liverpool have teamed up to present a series of three online lectures in 2021, and are delighted to announce that the acclaimed Belarusian poet Valzhyna Mort will give the first lecture of the series. Valzhyna Mort will talk on obsession, repetition, trauma and Belarusian traditional embroidery.  The lecture will feature a live Q & A and Mort will read a selection of her poems, chosen to respond to the same themes. The Poetry Society Annual Lecture given by Valzhyna Mort is the first of a series of lectures in 2021 presented by The Poetry Society in association with University of Liverpool (as the Kenneth Allott lectures), and will be published in

Volume 61, Issue 4 | Mass Review

WE ARE HONORED to present to you the very first Massachusetts Review issue focused on Native American writing. We are thankful to Associate Editor N. C. Christopher Couch and the rest of the MR team for dreaming up this issue and for asking us to be guest editors, and we are especially thankful to the writers and artists whose work we’ve chosen for this special issue. Their words and images are a gift. This issue, as it was first imagined, was set to coincide with and push back against Massachusetts’s planned celebration of the four hundredth anniversary of the