which, in many ways, is more vital at this moment in time. this project started in 2011. it this project started in 2011. it was this project started in 2011. it was an this project started in 2011. it was an idea. ten years is not it was an idea. ten years is not a it was an idea. ten years is not a long it was an idea. ten years is not a long time to take an idea, not a long time to take an idea, find it a home, raise the money idea, find it a home, raise the money to idea, find it a home, raise the money to build it, design and construct money to build it, design and construct the campus, curated over construct the campus, curated over 50,000 square feet of exhibition space, programme our theatres, exhibition space, programme our theatres, we have months of programming lined up, so we are really programming lined up, so we are really proud that we were able to do really proud that we were able to do that in the midst of a global to do that in the midst of a glob
gallery devoted to four movements. black lives matter, labour relations, climate change and me too. it labour relations, climate change and me too.- labour relations, climate change and me too. it is a way for us to change and me too. it is a way for us to think change and me too. it is a way for us to think about change and me too. it is a way for us to think about the - for us to think about the ongoing relevance of movies. to recognise ongoing relevance of movies. to recognise that movies have always recognise that movies have always had political and cultural impact. sometimes in ways cultural impact. sometimes in ways that cultural impact. sometimes in ways that had not been acknowledged by the film industry. sometimes in really damaging ways like castigating whole cell groups of people or acknowledging those histories we acknowledging those histories we are acknowledging those histories we are acknowledging those histories we are acknowledging those hi
everything down and building anew. i don t think there is an angelina in who doesn t know the corner of wiltshire and fairfax who hasn t maybe posted to social media about it. it is a building that has been talked about for years and now the people are going to be able to go inside it, probably even more so. go inside it, probably even more se go inside it, probably even more so. , , , more so. the museum is big. 50,000 square more so. the museum is big. 50,000 square feet - more so. the museum is big. 50,000 square feet of - 50,000 square feet of exhibition space along with two plush auditoriums, a studio, restaurant and much more. it is a museum celebrating cinema and its history. a museum celebrating cinema and its histo . ., ., ., its history. right now at a time in the its history. right now at a time in the world - its history. right now at a time in the world where l its history. right now at a l time in the world where the entertainment industry is in a sort of seachange w
world over other young girl named dorothy played byjudy garland in the wonderful land of oz. , ., , garland in the wonderful land of 02 and garland in the wonderful land of oz.- and tigers. - garland in the wonderful land of oz.- and tigers.- of oz. lyons. and tigers. and bears. of oz. lyons. and tigers. and bears- it of oz. lyons. and tigers. and bears. it walks of oz. lyons. and tigers. and bears. it walks you of oz. lyons. and tigers. and bears. it walks you through i of oz. lyons. and tigers. and | bears. it walks you through all of the bears. it walks you through all of the arts, crafts, scientists, professionals, that worked scientists, professionals, that worked on that film. it is a great worked on that film. it is a great way to deconstruct how a movie great way to deconstruct how a movie is great way to deconstruct how a movie is made through the lens of one movie is made through the lens of one film. of course we own the ruby of one film. of course we o
the excluded people in the exclusive white supremacist club. the museum can be inclusive, it can, but then again, who is going to continue what it started? the newly opened academy museum in la is very much a hollywood institution in terms of geographical location, there is a big effort for it to be a global centre with the visitors it attracts and the cinema it showcases. somebody who might be watching you, say, in mumbai, which has its own film industry might be thinking, this man isjust talking industry might be thinking, this man is just talking about a hollywood centric institution, is that the case? not the case at all. we are an international film museum, not the case at all. we are an internationalfilm museum, one international film museum, one of internationalfilm museum, one of our galleries is devoted to almodovar, one to bruce lee, fellini is featured in our oscars gallery. when you go to spike lee s gallery, you will