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Massimiliano Audretsch's design portfolio is replete with symbology, code and "secret language"

Massimiliano Audretsch’s design portfolio is replete with symbology, code and “secret language” The Italian-German graphic and type designer talks us through his recent body of work, including the development of his updated graduate thesis, Ciao. Words Since we last heard from Massimiliano Audretsch, one of the most significant events is that he graduated from University of Arts and Design in Karlsruhe, Germany. And with it came a change of design approach, following the finalisation of an extensive and research-heavy final project named Ciao – a formulaic display of a publication, typeface and a selection of installations. After which, the Italian-German designer moved to Switzerland to “complete a card blanche”, working part-time for Studio Johnson/Kingston and taking on a variety of clients on the side, gradually building up his portfolio and all manner of personal projects too. A month into the move, he was asked to become a lecturer at his former place of educat

Zurich
Zusz
Switzerland
Berlin
Germany
Kunstverein-kunsthalle-basel
Anton-stuckardt
Jahn-koutrios
Comprendere-istruzioni
Barbara-acevedo-strange
Gruppo-due

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