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In “Maestro,” working off untold hours of video and audio tapes of his real-life subject, Cooper fashions a higher, faster approximation of Bernstein’s vocal cadence, while various degrees and thicknesses of prosthetic makeup handle the rest.
In “Maestro,” working off untold hours of video and audio tapes of his real-life subject, Cooper fashions a higher, faster approximation of Bernstein’s vocal cadence, while various degrees and thicknesses of prosthetic makeup handle the rest.
In “Maestro,” working off untold hours of video and audio tapes of his real-life subject, Cooper fashions a higher, faster approximation of Bernstein’s vocal cadence, while various degrees and thicknesses of prosthetic makeup handle the rest.
In “Maestro,” working off untold hours of video and audio tapes of his real-life subject, Cooper fashions a higher, faster approximation of Bernstein’s vocal cadence, while various degrees and thicknesses of prosthetic makeup handle the rest.