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A well-oiled repressive state makes its citizens complicit in the crushing of dissent, a moral weight explored with exquisite, patient mastery in Iranian filmmaker Mohammad Rasoulof’s anthology film “There Is No Evil.” Four whirlpool-like stories of emotional dread surrounding the death penalty, they also reinforce the pulsing humanism in this autocratic country’s most fiercely committed storytellers. Of course, you have to be fiercely committed to the power of film if to make one might put you behind bars. First detained in 2010 (along with celebrated director and occasional collaborator Jafar Panahi), Rasolouf has yet to serve his one-year prison sentence for the charge of making anti-government propaganda. But he’s also been under a 20-year filmmaking ban since 2017 when his Cannes-feted clerical critique “A Man of Integrity” angered the regime and is forbidden from leaving the country. To make “There Is No Evil,” therefore, Rasolouf used a strategic m ....
âThere Is No Evilâ Review: Condemned, One Way or Another âThere Is No Evil,â which won the Golden Bear at the Berlin International Film Festival last year, is one of the most kinetic films ever made in secret. Mohammad Valizadegan in âThere Is No Evil.âCredit.Kino Lorber When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. The first of four episodes follows a father (Ehsan Mirhosseini) going about daily tasks. He picks up his wife and daughter. They run errands and go out for pizza. He checks his motherâs blood pressure. Then he awakes at 3 a.m. and heads to work. For some reason, he hesitates when a traffic light turns green. He is an executioner, and at his job, a green light tells him to release the gallows floor. ....
Advertisement In his novel If On A Winter’s Night A Traveler, Italian writer Italo Calvino observed, “The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.” That statement is insightful enough and broad enough to apply figuratively to any form of art. But Mohammad Rasoulof’s There Is No Evil, which won the Golden Bear (or top prize) at Berlin last year, puts a literal spin on it. A collection of four thematically connected stories about Iran’s death penalty and the demoralizing impact of state-sanctioned killing, this elegantly written and humanely acted movie extends empathy in multiple directions, including towards those struggling with the burden of “just following orders.” The film’s as compassionate as it is unsettling, and as provocative as it is poignant. ....
Alireza Zareparast, and Salar Khamseh. After winning at Berlinale, I ve heard nothing but great things about this film, but coming from Iran it s a tough look at how hard it is to exist and live in such an oppressive society. Reviews say the film pulses with humor, romance and life. Rasoulof has turned filmmaking into an act of resistance… every tale breathes. Powerful praise. And the cinematography is stunning, too. This look even better than expected! It s definitely worth a watch. Here s the official US trailer (+ poster) for Mohammad Rasoulof s There Is No Evil, direct from YouTube: You can still watch the festival promo trailer for Rasoulof s ....