pretty unusual for an after hours club. the whole point of going to an after hours club was to be able to drink. so i walk over to him and right away i say, hey, man, love your music. right away, the conversation veered into our love ofjazz. deep jazz as well, not justjohn coltrane. no, deep, deep, deep. he saw in me something that. ..was attractive and i saw something in him that was attractive, so this relationship was going to be mutually beneficial no matter what happened. i used to call him the picasso of rock and roll. it used to piss him off but i think secretly he dug it. but it was always, you know, a term of endearment. could i ask you to take me through the same progression when it comes to get lucky and daft punk? it s an extraordinary album. when daft punk, these two french dudes who are anonymous in their own way, came over to your house and they laid out
a solitary figure with a sharp nose from the suburbs of south east london. what happened next? so i noticed that he was by himself drinking a glass of orangejuice. pretty unusual for an after hours club. the whole point of going to an after hours club was to be able to drink. so i walk over to him and right away i say, hey, man, love your music. right away, the conversation veered into our love ofjazz. deep jazz as well, not justjohn coltrane. no, deep, deep, deep. he saw in me something that. ..was attractive and i saw something in him that was attractive, so this relationship was going to be mutually beneficial no matter what happened. i used to call him the picasso of rock and roll. it used to piss him off but i think secretly he dug it. but it was always, you know, a term of endearment.
so, i walk over to him and right away, i say, hey, man. love your music. right away, the conversation veered into our love ofjazz. deep jazz as well, not justjohn coltrane. no, deep, deep, deep. he saw in me something that was attractive and i saw something in him that was attractive, so this relationship was going to be mutually beneficial, no matter what happened. i used to call him the picasso of rock and roll. it used to kiss him off but i think secretly, he dug it. but it was always, you know, a term of endearment. could i ask you to take me through the same progression when it comes to get lucky and daft punk? it s an extraordinary album. when daft punk, these two french dudes who are anonymous in their own way, came over to your house and they laid out a vision for an album, what was that vision? what did they sell you? they sold me on a concept.
a little later than 3am. amol laughs. across the room you see this. solitary figure. a solitary figure with a sharp nose from the suburbs of south east london. what happened next? so i noticed that he was by himself drinking a glass of orangejuice. pretty unusual for an after hours club. the whole point of going to an after hours club was to be able to drink. so i walk over to him and right away i say, hey, man, love your music. right away, the conversation veered into our love ofjazz. deep jazz as well, not justjohn coltrane. no, deep, deep, deep. he saw in me something that. ..was attractive and i saw something in him that was attractive, so this relationship was going to be mutually beneficial no matter what happened. i used to call him the picasso of rock and roll. it used to piss him off but i think secretly he dug it.