In paint, recognition always butts up against necessity, creating the temptation to name something where there is just some thing. I remember standing in front of a Thomas Nozkowski painting six years ago, staring into its central green mass, which was like moss floating in the canvas’s fleshy pink.
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Remember at the start of covid when the media started publishing articles about temporary makeshift morgues being set up to handle all the extra bodies that were supposedly piling up due to the [.]
Temporary mortuaries at council gritting yards and near nature reserves were brought back into action across England to deal with the uptick. Sites have been used in each of the last three years.