come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
i am complete in your eyes we got lucky. how s it going? how s what going? you know, things, life, whatnot. life is not whatnot, and it s none of your business. the john hughes scripts, they just jumped off the page. they were funny. i remember reading sixteen candles in the back of my parents car, just stretched out on the seat, cracking up. his movies were always something to really look forward to because you knew that you would be entertained, and you knew that you would see some version of yourself or what you wanted yourself to be. my father will come home. he ll see what i did. i can t hide this. he ll come home and he ll see what i did, he ll have to deal with me. he always got deep. even with something like ferris bueller s day off, you know, he
Try to woo her back. we had a hard time with the boom box. he had a hard time holding it up. there was a time when it was on the car playing it. we finished the last shot of the last day of say anything. there was just only a little light in the sky left. the shot is moving in on cusack and i see it. i see it through the camera. the anger, the resentment, the glory, the pain, the adolescence. all of it was there in his face. we got lucky. how is it going? how is what going? you know, things. like, whatnot. life is not whatnot and it is none of your business. the john hughes scripts, they just jumped off the page. they were funny. i remember reading in 16 candles in the back of my parents car just stretched out on the seat cracking up.