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Review: Europe on the precipice in 'Munich — Edge of War'

When we last we saw George MacKay running, he was sprinting full-tilt across a World War.

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Auf Netflix: „München": Ulrich Matthes spielt Adolf Hitler - Kultur

Christian Schwochows Film zum Münchner Abkommen 1938 mit Ulrich Matthes als Adolf Hitler kommt zur richtigen Zeit: Er zeigt, wie gefährlich Appeasement-Politik sein kann.

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'Munich: The Edge of War' Review: George MacKay Strives to Prevent WWII in a Handsome But Muted Thriller

There’s much talk of the proverbial British stiff upper lip in “Munich: The Edge of.

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Neu im Kino: „Je suis Karl": Die netten Nazis von nebenan - Kultur

Christian Schwochow zeichnet in „Je suis Karl“ das unheimliche Bild einer rechten Europabewegung für die Hipster-Generation – und stellt damit kurz vor der Bundestagswahl eine brennend wichtige Frage.

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Berlinale Films 'Je Suis Karl,' 'Copilot' and 'Cryptozoo' Lead The Match Factory Slate at EFM (EXCLUSIVE)

Berlinale Films Je Suis Karl, Copilot and Cryptozoo Lead The Match Factory Slate at EFM (EXCLUSIVE) Leo Barraclough, provided by FacebookTwitterEmail The Match Factory is taking a strong slate to the European Film Market, including two world premieres: Anne Zohra Berrached’s “Copilot,” which is in the Berlin Film Festival’s Panorama section, and Christian Schwochow’s “Je Suis Karl,” which is in Berlinale Special. Also in the festival program is Dash Shaw’s “Cryptozoo,” the critically acclaimed adult animation awarded at Sundance, which is in the Generation lineup. Berrached, whose “24 Weeks” played in Berlinale Competition in 2016, is back at the festival with “Copilot,” a bold feature set in the mid 90s, an era of optimism, when the conflicts of the old-world order seemed to dissolve, and long-lasting peace seemed achievable. Asli (Canan Kir) meets Saeed (Roger Azar), whose love at first changes her life, before shaking the world to the core.

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