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BOMB Magazine | William T. Williams

"I didn’t want to paint figuratively. I didn’t want something that was overtly referencing the social issues around me, but I wanted to find a way to…

Malik Gaines on "Just Above Midtown: Changing Spaces" - Artforum International

EVEN THE OPENING OF “Just Above Midtown: Changing Spaces,” an exhibition chronicling the approach, sensibility, and material existence of Linda Goode Bryant’s now-celebrated artist-run space, was itself a legendary scene. Goode Bryant, the dauntless activist, filmmaker, and JAM founder, and Thomas (T.) Jean Lax, the inventive researcher and curator of performance and media at New York’s Museum of Modern Art, danced energetically, face-to-face, in a West African modality before a line of Senegalese drummers. (Lax curated the show with Lilia Rocio Taboada in collaboration with Goode Bryant and

How Just Above Midtown Extended the Freedom of Black Avant-Garde

This Vibrant Gallery for Black Art Has Been Resurrected at the Museum of Modern Art

JAM, an art space from the seventies, has been resurrected at NYC's Museum of Modern Art through its new presentation, Just Above Midtown: Changing Spaces.

JAM, a gate-crashing gallery, expanded the idea of Blackness

When is a time capsule a treasure chest? When does a scrapbook read like a utopian syllabus? When is an art archive its own form of art? Answer: when