the precedent it sets. returns published. i do wonder about the precedent it sets. i returns published. i do wonder about the precedent it sets. i know- the precedent it sets. i know presidents the precedent it sets. i know presidents have the precedent it sets. i know presidents have historically. presidents have historically released presidents have historically released their presidents have historically released their tax - presidents have historically released their tax returns i presidents have historically- released their tax returns ahead of times released their tax returns ahead of times through released their tax returns ahead of times through their released their tax returns ahead of times through their own released their tax returns ahead of times through their own free - released their tax returns ahead of times through their own free will. i times through their own free will. for contrast times through their own free will. for contrast to times through
on the bbc and the panel beforehand, clive lewis at the labour mp was making clive lewis at the labour mp was making that point, i agree with this, making that point, i agree with this, i making that point, i agree with this, i think the labour party has done this, i think the labour party has done a this, i think the labour party has done a very this, i think the labour party has done a very good job and keir starmer done a very good job and keir starmer has done a very good job in decontaminating the brand. that is what i decontaminating the brand. that is what i thought was a bit ridiculous constant what i thought was a bit ridiculous constant going on about rishi sunak about constant going on about rishi sunak aboutjeremy corbyn etc, constant going on about rishi sunak about jeremy corbyn etc, i also think about jeremy corbyn etc, i also think on about jeremy corbyn etc, i also think on the economy, both parties are going think on the economy, both parties are g
which is going on all over the world, on cultural restitution. and you re part of a team that put together an exhibition at nairobi national museum, and it displays a row of empty glass cases. it was also put on display at a museum in frankfurt, and these empty glass cases represent the tens of thousands of objects taken out of kenya by europeans during the colonial era. and you say they are a symbol of something much larger. what do you mean by that? 0ne place to begin is definitely the objects which are being kept held hostage, held life prisoners in a lot of these global north museums. it s important to note that not all objects are being held prisoner in kind of these illegitimate ways, but a significant number are, and especially the objects that the host countries and the host communities have asked for them to be returned. ido think. like what, for instance? like the pokomo drum, the ngadji, which has been in the british museum stores for literally one century. that s a sacred d
perspective, from a chance perspective, from a queer perspective, and we took a much more wider engagement. i do think, though, zeinab, that the question that you re asking is about why. you re asking why artists are not taking better care of battered women. and the question i m asking back at you is why that responsibility has been left to artists, when the people who have dropped the ball. because you said to me. ..and dropped the ball significantly. our law enforcement, the state, our society. of course they play a role. but you said to me at the beginning of this interview, yeah, iagree with the chinese artist, ai weiwei, that art has a social function. i do. so come on, i m saying to you, where s your social function in tackling a problem that you say is endemic in kenya? absolutely. violence against women. yes. i think the social function of our work is to situate where the activist is in the context of a society, and call out the society for treating activists the way they do