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Hassan honored for elevating study of global modern art

Hassan honored for elevating the study of global modern art

April 5, 2021 Salah Hassan, Distinguished Professor of Arts and Sciences in Africana Studies, has been elected as the 2021 Distinguished Scholar by the College Art Association, the largest and oldest scholarly and professional association in the field of art history. The honor was celebrated with a special session at the CAA 2021 Annual Meeting in February. Salah Hassan Hassan, an art historian, art critic and curator, is an expert on African and African Diaspora art history and visual cultures. He focuses particularly on contemporary art and modernism from comparative perspectives. “Salah Hassan’s scholarship and curatorial work have been deeply formative in bringing recognition to the study of modern and contemporary African and African diaspora art,” said Iftikhar Dadi, associate professor and chair of the Department of History of Art. “As a result of the sustained efforts of a small number of scholars, foremost among them Salah Hasan, this field is now among the most

CFP: "Consent not to be a single being: Worlding the Caribbean" (Symposium) – Repeating Islands

Toggle Sidebar CFP: “Consent not to be a single being: Worlding the Caribbean” (Symposium) [Many thanks to Peter Jordens for bringing this item to our attention.] Here is a call for papers for the symposium entitled “Consent not to be a single being: Worlding the Caribbean” to be held in London UK and/or online (depending on what the future holds) in December 2021 (exact dates to be announced). The deadline for submission of abstracts is April 6, 2021, 6:00pm UTC. Description (from Transnational at Tate): Hyundai Tate Research Centre: Transnational (HTRC:T), University of the Arts London (UAL) and Transnational and Transcultural Arts and Culture Exchange (TrACE) are pleased to announce a jointly organised symposium entitled “Consent not to be a single being: Worlding the Caribbean”. As part of the Worlding Public Cultures London Academy, the symposium takes the Caribbean and Caribbean thought as a starting point to reconsider global histories of art in the context of m