In the world of conceptual art, there are good ideas, bad ideas, and then there are Minujín’s ideas. Perhaps the most impressive thing about this survey of Argentinian Marta Minujín is that many of those ideas were actually realized—mostly in a place that New York critics hadn’t been paying much attention to until recently, Buenos Aires.
This month: The irreverent feminist art of Marta Minujín, Molly Crabapple channels Toulouse-Lautrec, Sonya Kelliber-Combs’s cryptic visual lexicon, and much more.
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