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Early on in Bong Joon-ho’s 2019 film
Parasite, the mother of the wealthy Park family leads a prospective tutor on a tour of their luxurious and starchitect-designed estate, which, perhaps like every symbol of success, carries a dark underside. Gina Beavers has aptly chosen this scene or rather, a piece of fan art depicting it made by the American singer Liz Phair as a motif in her first solo exhibition in Asia. The eight paintings in the show (whose title winks to motivational economist Adam Davidson’s idea of an emerging “passion economy”) were sourced from online #foodporn and makeup tutorials, imagery Beavers has mined before.
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