come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
just take those old records off the shelf risky business really was everybody s intro to tom cruise. of course, it wasn t just the underwear and the dancing. but that certainly helped. are you ready for me, ralph? risky business really surprises people. they think it s a teen sex comedy because it is literally about a guy who opens a brothel in his parents house. but it s actually an incredibly dark film about capitalism and about selling out. for someone with that limited a resume, to be able to kind of walk in and actually make the complexity of the movie work, his all-american boyness with this dark set of impulses, you looked at that performance and were like, okay, that guy s gonna be a huge star. highway to the danger zone what people don t really realize about top gun is we think of it as, like, this like rah-rah jingoistic action movie. but the movie that tom cruise was making is a very serious