[ speaking foreign language ] a big part of the fun of the movie was we were robbing banks comedically. and when we were done, the giddiness, the exhilaration of that experience was unmatched. frank. hey, honey. hey. what the hell are you doing? we re streaking. we re going through the quad to the gymnasium. who s streaking? there s more coming. frank, get in the car. everybody s doing it. now. okay. just hearing will s name puts a smile on my face. i remember him making old school and everybody got that taste of, oh, you want to see a [ bleep ] genius on a movie screen? here you go. here s will ferrell. sorry, i want ride with you the rest of the way up. but this is where my dad works. oh, i forgot to give you a hug. because he came from the ground lings and snl, he s
this is where my dad, would. works. forgot to give you a hug. because he came from the ground lings and snl, he s aware of where the laughs are, what the rhythm of the scene is. santa s coming to town. santa! oh, my god! he could flow with a scene and change it. he s like a jazz mau musician who can improvise around it versus somebody used to reading sheet music. lane, could i please have your attention? i ve just been handed a urgent and horrifying news story. i need all of you to stop what you re doing and listen. cannonball. i love anchorman so much. at that time, this was a big deal that he was making a movie that was his and adam mackay s sense of humor who were both snl guys. it was all the goofy shit that he does best all wrapped in one. ron, where are you?
great repositories of people learning how to do mostly sketch comedy. a lot of my characters from the ground lings, the whole speech i have in there is from the groundlings. vyou re blocking. that kind of stuff was celebrated. my name is philip hartman, i d like to introduce you to some of my characters. mr. music. history of comedy brought to you by arby s. we have the meats.
blowing this. much ado about nothing. bill: you didn t see charlie s eyebrows go up? i didn t. that means you watched it twice, i didn t. bill: so you thought it was fine. i thought this was much ado about nothing. and by the way in much a do about nothing there are far more lewd references to sexual behavior. bill: in s. charlie brown in much to ado about nothing? that s a shakespeare play. nobody was arguing that shakespeare was arguing downfall. bill: yes the ground lings were arguing do you know who they are. i don t know the ground lings. bill: the groundlings are the ones who paid the least amount to watch shakespeare and stood. and stood four hours. here is what i think the reference is. you and i are parents, okay? and no offense, margaret. that s okay, i don t have kids. bill: you are attacking her. no i m not. bill: i will if you don t. okay. that s your job. but what i m saying is that as a
much ado about nothing. bill: you didn t see charlie s eyebrows go up? i didn t. that means you watched it twice, i didn t. bill: so you thought it was fine. i thought this was much ado about nothing. and by the way in much a do about nothing there are far more lewd references to sexual behavior. bill: in s. charlie brown in much to ado about nothing? that s a shakespeare play. nobody was arguing that shakespeare was arguing downfall. bill: yes the ground lings were arguing do you know who they are. i don t know the ground lings. bill: the groundlings are the ones who paid the least amount to watch shakespeare and stood. and stood four hours. here is what i think the reference is. you and i are parents, okay? and no offense, margaret. that s okay, i don t have kids. bill: you are attacking her. no i m not. bill: i will if you don t. okay. that s your job. but what i m saying is that as a