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Je m appelle Bagdad : un joyeux plaidoyer pour la solidarité féminine [critique]

Je m appelle Bagdad : un joyeux plaidoyer pour la solidarité féminine [critique]
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Director Caru Alves de Souza s My Name is Baghdad celebrates quotidian moments of female friendship and resistance

Arts and Entertainment | Film and Television Director Caru Alves de Souza’s ‘My Name is Baghdad’ celebrates quotidian moments of female friendship and resistance Director Caru Alves de Souza’s ‘My Name is Baghdad’ celebrates quotidian moments of female friendship and resistance Courtesy of / Caru Alves de Souza Bagda, the main character of “My Name is Baghdad,” films footage at a skatepark. By Maryam Rahaman | March 7, 2021, 10:15 PM CW: This article mentions sexual harassment and assault. The camera cuts between two scenes: one of a young girl skateboarding through her neighborhood, the other of an assault at a house party. Alongside the noise of wheels against the pavement, her cries for help are drowned out by party music and strobe lights. A current of uncertainty runs through both scenes until our skating main character jumps over a wall, staining it with the phrase “Foda Se” (fuck off) in bright red marker. The story presents us with the heavy

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