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Welcome, read onwards to find some fine examples of reimagined 4th world possibilities, Candomblé-inflected free jazz, Kraftwerk gone tropical and much more. Sávio de Queiroz – Land, Sea and Air (Subsubtropics) Imagine if treated trumpet player and Eno collaborator Jon Hassell had based his fourth world experiments in Brazil instead of Malaysia, it may have. <a class="view-article" href="https://soundsandcolours.com/subjects/music/on-the-margins-brazilian-music-round-up-savio-de-queiroz-bebe-paulo-santos-paula-rebellato-voluntarios-da-patria-and-more-66653/">Read Article</a> ....
Bandcamp / Buy Born in Bahia but long based in Rio de Janeiro, Lucas Santtana should have had both ears plenty full from those two centers of Brazilian culture. With his colloquial, imagistic Portuguese and references to all manner of regional and historical Brazilian stylesâplus early career affiliations with Gilberto Gil, Caetano Veloso, Chico Science, and Arto LindsayâSanttanaâs music invites comparisons to tropicáliaâs heady fusions of local and foreign styles, manguebeatâs collisions of rock, rap, and maracatu in the 1990s, or yet another wave of bossa nova. But the textures and timbres of Santtanaâs songs point to an even stronger site of influence: Jamaican reggae, especially the pulsing basslines, hazy echoes, and layered mixing techniques of dub. With the 15th anniversary reissue of ....