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Who benefits from classical domes and columns: democratic or totalitarian regimes? What about Brutalist concrete: capitalism or communism, the rich or the poor? And, above all, why is urban regreening an ideological issue?
Last modified on Tue 27 Apr 2021 01.02 EDT
Can theatre change the world? Not, you suspect, if it’s a ticketed performance watched from a red velvet seat with a glossy programme and an ice-cream. The guerrilla theatre-makers in the 2003 Spanish film Noviembre, directed by Achero Mañas, have a 10-point manifesto for the revolution they’re staging on the streets. All their performances are free and available to all, they accept no private or public subsidies, and only original material is presented. If you’ve acted for TV or film then forget it – you’re banned from Noviembre.
The group is led by Alfredo (Óscar Jaenada), who arrives in Madrid from Murcia in the late 90s to attend drama school. Alfredo auditions with a piece he has created for a homemade marionette but comes to believe it is his fellow actors who are treated like puppets by their tutor, Yuta (played by veteran Argentinian theatre legend Héctor Alterio). He resents Yuta’s expectation that actors will divul
Noviembre: explosive manifesto takes theatre to the streets msn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from msn.com Daily Mail and Mail on Sunday newspapers.