steve: 400 chinese nationals, is california the new texas? ainsley: and a boeing plane made a landing after a wing of the plane starting to come off mid-air. steve: mornings are better with friends. griff: the wind is picking up in myrtle beach. having surfed in south carolina for three decades, i do folley, which is in charleston, and pauly island, south carolina. in the weather earlier i was looking andef was were flat and now picking up and you will see surfers out there. steve: they have the big primary on saturday. lawrence: laura ingraham interviewed donald trump. she wanted information on the latest price tag he is going to have to say. here is what the president said, watch. it is a form of navalny, a form of communism or fascismism. the guy is a nut job, i ve known this and said it openly. no jury, no anything. leticia james is horrible attorney general in new york, campaigned on i will get trump. we went through a trial, i m innocent on everythin
because it s notjust about the words, it s about the music and the rhythm and the cadence. when i started doing stand up comedy here, i sucked. i was so bad. because it s not aboutjust writing thejokes, it s about finding the same wavelength and the cadence and the rhythm that people receive, they re used to receiving. so, when i went out in comedy clubs, i m talking to people who are americans. they have different. it s different. so it s not about. you have to be fluent, you have to be quick and also, you have to match that cadence that people are expecting to hear the words and the jokes in, and that takes time. you talk about learning the rhythms, the cadence, but also, the subject matter has got to change, because in egypt, you were the political satirist. on tv, social media, you had tens of millions of fans who loved the way you mocked those in power, but you couldn t bring that and do it in the united states. well, you come here, you have two choices. you either live
ayman. tonight, that breweries acre and bank account of donald j trump. order to pay 450 million bucks and banned from doing business and his native new york. how is he going to pedophile? also a ton of drama going down and georgia. but through the eyes of the law, what are we actually looking at here? could d.a. fani willis they disqualified from prosecuting donald trump? and overseas, israel is hell- bent on and biden rafah, saying it is giving innocent people time to flee. the obvious problem, there is nowhere for them to go. i m ayman mohyeldin, let s do it. do it. for decades, now, the trump name has been synonymous with real estate in new york. since donald trump s grandfather bag and buying up land over 100 years ago, the family has run their now global real estate empire right out of the city. however, following the historic ruling from new york supreme court judge arthur engoron yesterday, that will soon change. on friday, judge engoron handed down his decision and t
but i m just wondering about one particular aspect of the move your sense of humour. how easy is it for humour to cross borders? very difficult. because it s notjust about the words, it s about the music and the rhythm and the cadence. when i started doing stand up comedy here, i sucked. i was so bad. because it s not aboutjust writing thejokes, it s about finding the same wavelength and the cadence and the rhythm that people receive, they re used to receiving. so, when i went out in comedy clubs, i m talking to people who are americans. they have different. it s different. so it s not about. you have to be fluent, you have to be quick and also, you have to match that cadence that people are expecting to hear the words and the jokes in, and that takes time. you talk about learning the rhythms, the cadence, but also, the subject matter has got to change, because in egypt, you were the political satirist. on tv, social media, you had tens of millions of fans who loved the way
aspect of the move your sense of humour. how easy is it for humour to cross borders? very difficult. because it s notjust about the words, it s about the music and the rhythm and the cadence. when i started doing stand up comedy here, i sucked. i was so bad. because it s not aboutjust writing thejokes, it s about finding the same wavelength and the cadence and the rhythm that people receive, they re used to receiving. so, when i went out in comedy clubs, i m talking to people who are americans. they have different. it s different. so it s not about. you have to be fluent, you have to be quick and also, you have to match that cadence that people are expecting to hear the words and the jokes in, and that takes time. you talk about learning the rhythms, the cadence, but also, the subject matter has got to change, because in egypt, you were the political satirist. on tv, social media, you had tens of millions of fans who loved the way you mocked those in power, but you couldn t