Still a backer for the arts but its all subjective. So has become too expensive and too cool but its struggling office of lost the studios all rehearsal rooms to soaring rents predatory developers heres a clip from a documentary about two artists who left but eventually return. The other to pitch otto is a multimedia artist from the United States her husband alexander is best known as the basis for the band in a night out this film shows how they came to a point where they felt they couldnt breathe and berlin anymore. Then we blew out how walls by giving up our house. We left berlin back then because in twenty ten beilin had arrived at a point in its development that was absolutely not conducive to being an
independent artist. So they packed everything up and tried to make their dream a reality some place else. Like great is showing what we are like nomads they first headed to mexico then to new york then finally to prague they found more on their journey than just the individual place
the in the in the in the. in the. in the things. in the in the. on the can and. the in the middle of the big. in the. propaganda on rail. the russians on me is celebrating its victories in syria with an exhibition training. until your pill to swallow for relatives of those who died in combat many received little assistance and feel abandoned. detail with a reporter usually vitiate on its families of fallen soldiers and here s their stories. in sixty minutes on g.w. . what secrets why behind these memos.
propaganda on rails. russia s army is celebrating its victories in syria with an exhibition training. bitter pill to swallow for relatives of those who died in combat many received little assistance and feel abandoned to tell you reporter u.p.v.c. tell needs families of fallen soldiers and here s their story. in thirty minutes on w. o. v only order is history the world is reorganizing itself and the media s role is keep shifting powers the topic in focus at the global media forum twenty nineteen and the laboratory for the digital age. who are we following whom do we trust to
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