good morning and welcome to the saturday edition of morning joe weekend. it was a really busy week. let s get to some of the conversations you may have missed. gag order in donald trump s hush money case is an effect, but his attorney said, they will keep fighting to get it thrown out. that comes after new york s top court declined to hear trump s appeal of the matter earlier this week. the state court appealed trump s thing, there was no constitutional grounds for the appeal. that leaves the gag order imposed by judge juan mershon in place meaning, he could still face penalties in place for violating it. the order bars trump from going after witnesses, jurors, and others who were involved in the case. following his felony conviction last month, the sentencing is scheduled for july 11th. so, i guess first of all, do you expect this gag order to be put back before the sentencing? i don t, but maybe there is reason for it. and then, what do you expect for the sentencing?
To make money off streaming music? exactly, and as it s been said, the revenues. i spotify went public in 2018 and essentially is trying. to transform itself from a music - streaming company into a publisher. they re a media company. it s the same way when the - washington post produces a podcast. you know, we edit the content, i we have control over the content because it s associated with our brand. - it s our podcast. so this is a big transition, - basically from being a platform to being a straight up media . company, and with that comes lots of responsibilities. also, there is revenue there. right now, advertising revenue is a really small portion - of spotify s revenue. they make only about 15%. they make much more from subscriptions. - but when you look at the kind of ad prices that ads in an exclusive - podcast can generate, you start to understand also why they re going into it, i not just differentiation, because streaming. any artist can stream i in ten different places,
Published:
March 10, 2021 at 7:03 am
Itâs 70 metres long, tells a tale that stretches over land and sea, covers a crucial piece of history, and has a wide cast of characters. Yet the Bayeux Tapestry does not relate the whole story of the Norman Conquest of 1066. It vividly records the head-to-head clash between Englandâs King Harold II âGodwinsonâ and Duke William of Normandy, placing these two protagonists firmly in the thick of the action. But it omits pivotal parts and players, notably the other battles of the Conquest year that took place in northern England â Fulford and Stamford Bridge â and one man in particular, Edgar Ãtheling, who might have been king in 1066.