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Stephen Schaefer's Hollywood & Mine

Stephen Schaefer’s Hollywood & Mine Stephen Schaefer © Provided by Boston Herald This image released by Amazon shows Chris Pratt, from second left, Edwin Hodge and Sam Richardson in a scene from The Tomorrow War. (Frank Masi/Amazon via AP) ‘The Tomorrow War’ stars Chris Pratt as a heroic father figure who has issues with his own father (J.K. Simmons).  As a $200 million sci-fi fantasy, ‘War’ begins as time-traveling Earthlings come from 30 years in the future, yes 2051, to warn everyone that monstrous aliens, notable for their beast-like demeanor and notably ferocious with several sets of chompers are waging a war of extinction – and winning.  So people today – all sorts of people – are recruited and sent via a teleporter to 2051 where most quickly die as they are eaten and eradicated by those huge horrors from Outer Space.  Yes, there are many surprises along the way, including who Pratt meets in 2051.  Director Adam McKay, Pratt and s

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'My Wonderful Wanda' Review: The Secret Life of a Caretaker

The writer/director Bettina Oberli weaves a satirical family drama knotted with infidelity, among other complications.

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'My Wonderful Wanda' Review: A Polish Home-Care Worker Sparks Change With Her Swiss Employers

‘My Wonderful Wanda’ Review: A Polish Home-Care Worker Sparks Change With Her Swiss Employers Variety 1 hr ago Money can buy outside help, opportunity and material possessions, but not happiness in “My Wonderful Wanda,” a punchy satire from Swiss auteur Bettina Oberli (“Late Bloomers”). Taking a wry but empathetic approach to the phenomenon of care migration, Oberli and her co-writer Cooky Ziesche focus on the changing relationship between one privileged Swiss family and their financially fragile Polish home-care worker over nine months. Naturalistically shot and structured as three chapters and an epilogue, it’s an engaging, mostly well-acted tale, full of surprising twists, even if some seem a bit too on the nose. Opening in theaters and virtual cinemas on April 23, this Zeitgeist Films release should segue from international film festival favorite to modest art-house hit.

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Review: A comedy with much on its mind, 'My Wonderful Wanda' misses its mark

Review: A comedy with much on its mind, My Wonderful Wanda misses its mark Gary Goldstein © Provided by The LA Times André Jung and Agnieszka Grochowska in the movie My Wonderful Wanda. (Aliocha Merker/Zodiac Pictures/Zeitgeist Films) If only “My Wonderful Wanda” director Bettina Oberli and her co-writer, Cooky Ziesche, had found a more consistent tone and focus for this wry tale of love, power, money and class; their story is fertile territory for a warmer, more engaging family satire than is found here despite some strong moments. Then there’s the matter of lead character Wanda (Agnieszka Grochowska), a Polish caregiver and single mom who commutes to Switzerland to look after 70-year-old Josef Wegmeister-Gloor (André Jung), a wealthy businessman paralyzed following a stroke. Josef may think Wanda is “wonderful” she’s pretty, half his age, has a soothing manner and, oh, yes, secretly trades sex with him for cash but, as presented here

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'My Wonderful Wanda' review: Class satire misses its mark

'My Wonderful Wanda' review: Class satire misses its mark
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