Have a hey, nonny nonny and a bit of a thump, but then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me,
But then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me, can you write songs for a musical?
Just by sitting down and trying. and i had written a lot of songs by then and i had written, you know, i had gone through this phase in my teens, like a good teenager, of musicalising ts eliot poems. like, i ve got this song that i can still hear that goes: # #let us go, then, you and i #. right? we all know that. and by the way, i ve gone back to eliot in my later years and it stands up, man. it s brilliant. it s beautiful stuff. anyway, i even had, i did a bit of wasteland as well. # this is the way the world ends.#. like, i was using this grunge stuff coming out of seattle and, like, putting it to ts eliot lyrics. so i was already writing music to pre existing lyrics and this love s labour s lost thing was built of the script, which has a few songs in it, you know, like all his comedies have a hey, nonny nonny and a bit of a thump, but then it was enhanced with other sort of metaphysicists and elizabethan poets
But then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. and i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming.# it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve got these people. that person s got a tear in their eye. i made that happen. but i thinkjenny asked me,
Love s labour s lost thing was built of the script, which has a few songs in it, you know, like all his comedies have a hey, nonny nonny and a bit of a thump, but then it was enhanced with other sort of metaphysicists and elizabethan poets likejohn donne, but other shakespearean sonnets that have been wedged into this script to kind of make it more of a musical. and it really worked. i wrote this set of songs and i think we performed it for three nights and everyonejust loved it. and everyone in the cast and everyone who saw that show remembers it. # 0 mistress mine where are you roaming? # 0 stay and hear, your true love s coming. it was profound because i could feel both the kids who were in the show and the audiences, i could feel them, the stillness, i could feel that i had captured them. and that s a very intoxicating feeling to go, oh, i ve