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Hit every auditory G-spot simultaneously: CBSO/Hough/Gardner concert reviewed

The week in classical: La clemenza di Tito; Current, Rising review – back to reality

The stage is set (at last!) for murder most cheesy: PATRICK MARMION reviews The Mousetrap

La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance

La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance | reviews, news & interviews La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance Mozart s hard-to-pace, musically masterful coronation opera has the right team by David NiceTuesday, 18 May 2021 Emily D Angelo as Sesto in thrall to Nicole Chevalier s dominatrix VitelliaAll images by Clive Barda It looked as if the Royal Opera might be trying to keep its distance with the first new production since lockdown. It looked as if the Royal Opera might be trying to keep its distance with the first new production since lockdown. After all, Mozart’s last opera – only the Overture and March of the Priests in

La Clemenza di Tito review – delight to be back, but modern-dress production fails to convince