No. Everybody trying to get along. One problem with hiring women is that theyre frail and breakable. Is it possible youre thinking about light bulbs or your hip . Hilarious. What do you say to that . Whoa. Ow lets talk about earning a living. Yeah. Have you ever done it . No, but i could. Ha Lucille Ball with the chocolates, always funny. If one piece of candy gets past you and into the Packing Room unwrapped, youre fired. All the writers needed to say was lucy and a conveyor belt, youre good. Some of the most memorable episodes of I Love Lucy are when she gets a job outside of the home, but it always unravels. Youre doing splendidly. Speed it up when sitcoms started, they were Family Sitcoms. And for years, thats all there was. And then we move into the 1960s, we start to see more people working in an office than on a factory line. For the first time in the history of our nation, a majority of all workers are in White Collar jobs. And you were spending time getting to know your collea
Laughter as wonderful place to go for forgetting your troubles and woes. Sitcoms are an escape. The more dire the circumstances, the more you need sitcoms to forget about your troubles. We re going to the good place. In a frickin gold balloon! shotgun! that s what we had. That s what helped me escape being poor. Every single one of you is a good person. When i m feeling kind of hopeless and sad, i get to laugh and lose myself and remember, life s not that bad. You re in the good place. The beautiful thing about the sitcom is that it has provided so much joy in times of uncertainty. There s pressure, new products, everything being new, this brave new world. Everything s about the future and modernizing. Yes, it s all bright and shiny, you get cars that look like spaceships. But then it s a scary thing. What does the future hold? flint steins was a modern stone age family, if you recall. Celebrated the modern family in a stone age setting. It was like time travel fantasy for us watching
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
where s my sandwich! we all need a reason to get up in the morning. he made us do it! it was frank! the american office is iconic. how many people can i fire? none. you re picking a health care plan. okay. we ll table that for the time being. terrible bosses. you ve got spunk. well i hate spunk. terrible workmates. are you kidding? do these not bend the [ bleep ] back? no. everybody trying to get along. one problem with hiring women is that they re frail and breakable. is it possible you re thinking about light bulbs or your hip? hilarious. what do you say to that? whoa. ow! let s talk about earning a living. yeah. have you ever done it? no, but i could. ha! lucille ball with the chocolates, always funny. if one piece of candy gets past you and into the packing room unwrapped, you re fired. all the writers needed to say was lucy and a conveyor belt, you re good. some of the most memorable episodes of i love lucy
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr