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Suzanne Hudson on Blythe Bohnen - Artforum International

WRITING IN 1973 for Art International, Douglas Crimp reviewed Blythe Bohnen at New York’s A.I.R. (Artists in Residence Inc.) Gallery, the landmark women’s cooperative that opened in 1972, of which the artist was a founding member. That same year, she completed her MFA at Hunter College and was included in the “Annual Exhibition: Contemporary American Painting” at the Whitney Museum of American Art. “Brushstroke,” the near-taxonomic series that Bohnen had started in 1968 and which included 48 Brushstrokes, 1971, a matrix of gesture, instantiated and recalled, that was reproduced on the announcement

The 100 Greatest New York City Artworks – ARTnews.com

See the 100 greatest artworks about New York City, from transcendent abstractions about Manhattan to an experimental film about Staten Island.

Clemente to Marden to Kiefer: Remembering Peter Schjeldahl

John Douglas Millar on

The critical literature on the photographer Peter Hujar’s work remains relatively slight, and that of value slighter still. One explanation for t

Print edition by Ser Serpas and Rafik Greiss

New Ser Serpas and Rafik Greiss prints presented by DISTANZ Verlag.