come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Ah, that s hollywood. thank you, sir. i m happy to be working here. well, you re a welcome addition, and a damn pretty one too, if i might add. thank you, sir. now, i mean that. you should see some of the crones that have been coming through here lately. real pathetic. right, violet? 9 to 5 was a me-too movie before the me-too movement. it was this idea of women coming together and being like, yes, my life has been ruined by egotistical, bigoted men who are trying to hold me back. coffee, violet. now. this was when women were going into the workforce, but they were still secretaries. they were still these subservient roles. they weren t the boss of the company. oh, the pencil. it s all right. i ll get it. what about you, doralee? what s your fantasy for doing him in? me? well, i think i d like to just come riding up one day and give