xx a massive influx of migrants. people are scared. they are desperate. the reality is there s just too many people. my message is this, do not just show up at the border. let me in, immigration man can i cross the line and pray i can stay another day let me in, immigration man i can see you anyway we are the united states of america. none of us would have our children in that position! they are human beings! who gets to be part of the american political family? who can become an american? our country is full. won t you let me in, immigration man can i cross the line and pray how can anyone be anti-immigrant? we are all immigrants. with my immigration form is big enough to keep me warm america is a melting pot. you better watch out for the man let me in, immigration man, can i cross the line and pray the dreams that unfold here are those that what make america soar. people willing to risk everything for the dream
i cuss gratuitously, but subject matter s another story. this is going to be a good show. are there any subjects that are never appropriate for humor? ferguson: people say a good comedian doesn t have to cuss. and i thought, that s [bleep] rubbish. how dirty is too dirty? -why is all that so funny? -i don t know. what you re about to hear is going to shock and disgust you. wong: if you choose to go blue, you gotta do it right. dirty for the sake of dirty, there s nothing worse than that. you must promise me something. you won t get me in any trouble on the show tonight. [ music playing ] [ cheers and applause ] and, listen, i will be cussing tonight. just so as you know. no, i will, i will. don t [bleep] aww me. [ laughter ] not allowing an artist to use the word [bleep] is like not allowing a guitarist to use the chord e. it s possible to play the instrument, but why the [bleep] would you bother? now, don t wave your finger at me. you knew when you got here there d be
- i m rick james, bitch. (audience laughing) - in living color set up a platform for black comedians blowing up. - i don t think so. homie don t play that. (audience laughing) - arsenio hall was, woo, woo, woo, woo, woo. it was groundbreaking. - [audience] woo, woo, woo, woo, woo. - you had a black man willing to fight the power. - nice being out of jail. (audience laughing) - laughter is healing, laughter purifies the air. actually i don t like to talk about the races, because i m white. - and we, as black people, have been doing it forever. - i am, this is a freckle. (audience laughing) - all black comedians discuss race. - it s harder being gay than it is being black. i didn t have to come out black. (audience laughing) - we have to address our pain to make you laugh, and so that we could get through it. - mom, i m black. oh, no, lord jesus! (audience laughing) (upbeat music) (upbeat jazzy music) - in the 1930s, segregation kept black audiences out of white theater
what about tupac s birthday? - and when you have so little, it means everything. all of those shows, they all matter so much. - it feels like there s been more of an ebb and flow and an evolution. - it is so important for us to have true authenticity. - why we always the only black people here? - that s why representation matters, black stories told by black people. - i m trying to tell you something. - [man] we set the pace for sit comedy. - you hear that, elizabeth? i m coming to join ya, honey? - from sanford and son to the other black shows. - what is this? - loved the jeffersons. - monogrammed shirt, brand new silk tie. - is that a tie? i thought your tongue was hanging out. - good times is one of my favorite sitcoms because you could not tell me that these people were not real. - dy-no-mite! - uncle phil! - fresh prince of bel-air was groundbreaking for me. it was a different depiction of black life. - argh! - martin made me laugh so much. - jerome in the house
impressionable young people, many from good families who he manipulates with mind-control techniques, turning his group of peaceful hippies into a devoted death squad. police have yet to make the connection between the carnage at two of manson s bloody crime scenes, and charlie is way ahead of them. he wants more death, and he wants it the very next night. how will investigators ultimately piece it all together? here s part two of the devil s work. [ ominous chord strikes ] i spent the best part of my life in boys schools, prisons, and reform schools. roberts: you can t understand charlie manson without understanding his criminal past and his time in jail. rick: in order for him to survive, he developed skills to manipulate people. prison is where manson perfected the art of the con. he s inspired by a very unlikely source. his personal guru is none other than dale carnegie. dr. jordan: how to win friends and influence people. and then he used those techniques, that ab