come with us. we re heading for the valley. going where? did you say? mexico. all the way down. you going all the way to mexico tonight in this old heap of junk? reckon the town will get along without us tli monday? oh, i reckon. i was young enough to bounce that far, i d go with you. the last picture show was a movie that, however old i was when i saw it, i said, oh my god this movie is about me. this movie is about us. this movie is about america as we are right now, here in the mid- 70s, not as we were back in the early 1950s. do you think the last picture show is a john ford type movie? no. i think it s a peter bogdanovich type movie. peter bogdanovic loved movies, had a sense of movie history, but had a very strong sensibility. he spoke to a new generation, both visually and emotionally. orson welles read the script. and i said, i d like to get that depth of feel, everything being sharp, the way you did in citizen kane, touch of evil.
come with us. we re heading for the valley. going where? mexico. all the way down. you going all the way to mexico tonight in this heap of junk? reckon the town will get along without is till monday? oh, i reckon. i was young enough to bounce that far, i d go with you. the last picture show was a movie that, however old i was when i saw it, i said, oh my god this movie is about me. this movie is about us. this movie is about america as we are right now, here in the mid- 70s, not as we were back in the early 1950s. do you think the last picture show is a john ford type movie? no. i think it s a peter bogdanovich type movie. peter bogdanovic loved movies, had a sense of movie history, but had a very strong sensibility. he spoke to a new generation, both visually and emotionally. orson welles read the script. and i said, i d like to get that depth of feel, everything being sharp the way you did in citizen kane, touch of evil. he said, you
way to make a commercial vehicle that involves this kind of dark undercurrent of american society. who are you? in free days of the condor , the question is who will win. can the press undo these dark forces. what, what did you do? i told them a story. all the president s men answers that question. did he confirm it? absolutely. the film is based on a book by woodward bernstein that was written before richard nixon resigned. and in the film redferred and hobson represent the role that woodward and bernstein actually played in unraveling the watergate cover up in 1972. i had great respect for journalism. all the president s men was about who were the guys who dug
political, they start to find a way to make a commercial vehicle that involves this kind of dark undercurrent of american society. who are you? in free days of the condor , the question is who will win. can the press undo these dark forces. what, what did you do? i told them a story. all the president s men answers that question. the film is based on a book by bernstein that was written before richard nixon resigned. and in the film, they represent the role that woodward and bernstein actually played in unraveling the watergate coverup in 1972. i had great respect for journalism. all the president s men was about who were the guys who dug
we wanted to make it kind of semi documentary style and my character has to run for his life to figure out what is going on. actors like redford and warren beatty who were both very political they start to find a way to make a commercial vehicle that involves this kind of dark undercurrent of american society. who are you? in three days of the condor, the question is, who will win. can the press undo these dark forces? what? what did you do? i told them a story. all the president s men answers that question. did he confirm it. absolutely. bill bradley. the film is based on a book by woodward and bernstein that was written before richard nixon resigned with, and in the film, redford and hoffman represent the role that woodward and bernstein actually played in unraveling the watergate cover-up in 1972.