senate when you do polling and staffers and members. sharp whit. dark at times. but even though he lost to president clinton in 1996 was always a good sport and made fun of himself on saturday night live and did a late night show after 1998. when he was done with his career, he was doing pepsi commercials, dunkin donuts commercials and a viagra commercial appearing in this commercial that you re looking at now that was actually huge for viagra becoming more main stream at the time. one thing, does it speak to this idea of how americans trusted him to some degree even though he lost by a large margin in the presidential race? look, people respected dole enormously even though he lost by a large margin. you know, he, you know, he clinton was able to structure that race as future versus past and dole was sort of clouded by the response to the gingrich revolution in which he was very much of an unwilling participant but there is never any question of kind of americans and i think
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ghostbusters and that is his trademark and why so many films he worked on stuck in the culture. caddyshack about a nerdy sub versive. animal house he co-wrote about subversive nerds. food fight! reporter: comedies smarter than goofball. dark at times but always with a light left on. groundhog day, a nightmare but wrapped inside a snowball of sweetness. ow, ow. are any of you up for adoption? reporter: ramis came up through chicago s second city comedy troupe serving for a time as head writer, part of the same generation as the original saturday night live cast with whom he worked in several movies. murray in stripes. chevy chase in national lampoon s vacation with that scene on the highway. work that inspired a younger generation like writer and director judd appetaug who actually interviewed ramis for his high school radio station,
that is harold ramis in ghostbusters and that is his trademark and why so many films he worked on stuck in the culture. caddyshack about a nerdy sub versive. animal house he co-wrote about subversive nerds. comedies smarter than goofball. dark at times but always with a light left on. groundhog day, a nightmare but wrapped in a snowball of sweetness. ramis came up through chicago s second city comedy troupe serving for a time as head writer, part of the same generation as the original se saturday night live cast with whom he worked in several movies. murray in stripes. chevy chase in national lampoon s vacation with that scene on the highway. work that inspired a younger generation like writer and director judd appetaug who