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Dark Tourism Market Size, Trends | Forecast 2024-2032
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Dark Tourism Market Size, Share & Growth 2024-2032
menafn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from menafn.com Daily Mail and Mail on Sunday newspapers.
A Land Like No Other: Afghanistan’s Post-Conflict Ecotourism Potential
Stunning cobalt-blue lakes with natural travertine dams in Band-e-Amir, the pristine, soaring Pamir Mountains, through which some of the world’s last snow leopards prowl far from the simplistic, violent, and drab images preferred by the media, Afghanistan is a beautiful and multifaceted nation. Lonely Planet once described Afghanistan as a “vastly appealing country.” Having married into an Afghan family many years ago, I can attest that the culture is also extremely hospitable. Welcoming tourists to visit their beautiful nation is a logical extension of the Afghan culture.
With such a rich and hospitable culture and unparalleled natural beauty, the post-conflict development of a responsible and sustainable tourism sector could benefit Afghanistan especially in more remote areas. Before the wars and COVID-19, in the 1970’s, over 100,000 tourists per year visited Afghanistan. But there is hope for an e
Orange Tree Theatre today announce that their annual education project Shakespeare Up Close, which offers secondary school students the opportunity to see Shakespeare s plays performed, will go ahead this year, taking place online with new abridged productions of Romeo and Juliet and Macbeth made available to schools digitally. The project marks the first Orange Tree Theatre productions in almost a year.
Bec Martin, Education & Participation Director said today, I am so thrilled to be directing the Orange Tree s first production in nearly a year. And I am even more thrilled that this production is for young people. Participation and Engagement is becoming even more vital as we reckon with a world without live theatre. The events of the last year have disproportionally affected our young people and it feels significant that while we can t offer this production in person as we would normally, we are able to provide an accessible and engaging production in a digital medium.
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