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Unexpected success often leads to creative disaster. With no one there to edit his extreme tendencies, to tell him casting himself in the lead might be a mistake, to warn him that breezy comedies shouldn’t be nearly two hours long, Seth MacFarlane’s carte blanche that came with the box office success of Ted proves to be his undoing. The mistakes made in the production of A Million Ways to Die in the West, reminiscent of the worst comedic tendencies of the Happy Madison crew, feel like a byproduct of a man-child allowed to do whatever he wants because it worked last time. A failure on nearly every level, A Million Ways to Die in the West almost approaches so-bad-you-need-to-see-it categorization. There are scenes/jokes that hit the dusty ground of Monument Valley with such a remarkable thud that no one in the preview audience with whom I saw the film laughed. Not one person. Which leads one to ask, how did they make it through the editing/post-production p
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