wearing on the day. so i popped along to dimension studios in wimbledon, whose little green space has been graced by some fairly big faces. who s the most famous person you ve had in here? most recently, madonna. really? we also filmed with coldplay and bts. oh, god. drop drop the names. drop the names. and simon thinks volumetric capture is ready to take on more of the load from the growing trend to hold events in the world of mixed reality. so we re seeing music performances delivered in the metaverse, we re seeing fashion shows where holograms have been captured. and they re being brought to life on stage as part of the catwalk experience. we re seeing the adoption in film and tv, where movies are using it for crowd scene generation, which has advantages over traditional cg roots, or indeed for the creation of holograms who might represent, you know, a superhero, as part of the next marvel film, for example.
drop the names. and simon thinks volumetric capture is ready to take on more of the load from the growing trend to hold events in the world of mixed reality. so we re seeing music performances delivered in the metaverse, we re seeing fashion shows where holograms have been captured. and they re being brought to life on stage as part of the catwalk experience. we re seeing the adoption in film and tv, where movies are using it for crowd scene generation, which has advantages over traditional cg roots, or indeed for the creation of holograms who might represent, you know, a superhero, as part of the next marvel film, for example. i m surrounded by 53 normal cameras and 53 infrared cameras. now, the infrared cameras capture my geometry, and the normal cameras capture what i look like. and once you ve got that, the computer can work out what i look like from every conceivable angle, and that
to life on stage as part of the catwalk experience. we re seeing the adoption in film and tv, where movies are using it for crowd scene generation, which has advantages over traditional cg roots, or indeed for the creation of holograms who might represent, you know, a superhero, as part of the next marvel film, for example. i m surrounded by 53 normal cameras and 53 infrared cameras. now, the infrared cameras capture my geometry, and the normal cameras capture what i look like. and once you ve got that, the computer can work out what i look like from every conceivable angle, and that means you can decide on your shot and your camera move after the take. and, of course, you can put your performer, well, anywhere you want. and then you can go to bullet time! nice moves, spen, nice moves. now, currently this kind of stuff still takes a lot of processing to render, a lot of time to manually tidy
to life on stage as part of the catwalk experience. we re seeing the adoption in film and tv, where movies are using it for crowd scene generation, which has advantages over traditional cg roots, or indeed for the creation of holograms who might represent, you know, a superhero, as part of the next marvel film, for example. i m surrounded by 53 normal cameras and 53 infrared cameras. now, the infrared cameras capture my geometry, and the normal cameras capture what i look like. and once you ve got that, the computer can work out what i look like from every conceivable angle, and that means you can decide on your shot and your camera move after the take. and, of course, you can put your performer, well, anywhere you want. and then you can go to bullet time! nice moves, spen, nice moves. now, currently this kind of stuff still takes a lot of processing to render, a lot of time to manually tidy
of the catwalk experience. we re seeing the adoption in film and tv, where movies are using it for crowd scene generation, which has advantages over traditional cg roots, or indeed for the creation of holograms who might represent, you know, a superhero, as part of the next marvel film, for example. i m surrounded by 53 normal cameras and 53 infrared cameras. now, the infrared cameras capture my geometry, and the normal cameras capture what i look like. and once you ve got that, the computer can work out what i look like from every conceivable angle, and that means you can decide on your shot and your camera move after the take. and, of course, you can put your performer, well, anywhere you want. and then you can go to bullet time! nice moves, spen, nice moves. now, currently this kind of stuff still takes a lot of processing to render, a lot of time to manually tidy