The latest instalment in the most inept crime thriller series in Hong Kong cinema in the past 10 years, Crypto Storm, with its young, good-looking cast, is watchable if you forget how farcical its story is.
Director Kelvin Shum’s debut film, Deliverance, while atmospheric and visually striking, is undone by its highly unrealistic screenplay – we might give this one a miss.
Despite a good turn from Chrissie Chau as a jailed businesswoman, Prison Flowers is so badly scripted it makes nothing of the friction between inmates and guards and resorts to desperate plot devices.